Reinvenciones contemporáneas de El Bosco: Civilization (2008), de Marco Brambilla

Fecha de publicación

2020-05-03T16:16:30Z

2020-05-03T16:16:30Z

2016

2020-05-03T16:16:30Z

Resumen

In contemporary art many artists draw upon and review the work of the masters. The aim of this text is to analyze how Marco Brambilla turns to some of the values of Hieronymus Bosch's art- works in his video Civilization. Some concepts have been raised as common ground to establish analogies between both artists, such as the triple composition, structural versatility and circularity. In order to understand the referential nature of Brambilla's work, the importance of 'videocolla- ge' is also addressed.

Tipo de documento

Artículo


Versión publicada

Lengua

Castellano

Publicado por

Universitat de Barcelona

Documentos relacionados

Reproducció del document publicat a: https://doi.org/10.1344/Materia2016.10-11.16

Matèria. Revista internacional d'Art , 2016, num. 10-11, p. 347-355

https://doi.org/10.1344/Materia2016.10-11.16

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Derechos

cc-by (c) López del Rincón, Daniel, 2016

http://creativecommons.org/licenses/by/3.0/es

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