dc.contributor.author
López del Rincón, Daniel
dc.date.issued
2020-05-03T16:16:30Z
dc.date.issued
2020-05-03T16:16:30Z
dc.date.issued
2020-05-03T16:16:30Z
dc.identifier
https://hdl.handle.net/2445/158479
dc.description.abstract
In contemporary art many artists draw upon and review the work of the masters. The aim of this text is to analyze how Marco Brambilla turns to some of the values of Hieronymus Bosch's art- works in his video Civilization. Some concepts have been raised as common ground to establish analogies between both artists, such as the triple composition, structural versatility and circularity. In order to understand the referential nature of Brambilla's work, the importance of 'videocolla- ge' is also addressed.
dc.format
application/pdf
dc.publisher
Universitat de Barcelona
dc.relation
Reproducció del document publicat a: https://doi.org/10.1344/Materia2016.10-11.16
dc.relation
Matèria. Revista internacional d'Art , 2016, num. 10-11, p. 347-355
dc.relation
https://doi.org/10.1344/Materia2016.10-11.16
dc.rights
cc-by (c) López del Rincón, Daniel, 2016
dc.rights
http://creativecommons.org/licenses/by/3.0/es
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Història de l'Art)
dc.subject
Art contemporani
dc.subject
Contemporary art
dc.subject
Video recording
dc.subject
Bosch, Hieronymus, -1516
dc.title
Reinvenciones contemporáneas de El Bosco: Civilization (2008), de Marco Brambilla
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion
