Reinvenciones contemporáneas de El Bosco: Civilization (2008), de Marco Brambilla

Publication date

2020-05-03T16:16:30Z

2020-05-03T16:16:30Z

2016

2020-05-03T16:16:30Z

Abstract

In contemporary art many artists draw upon and review the work of the masters. The aim of this text is to analyze how Marco Brambilla turns to some of the values of Hieronymus Bosch's art- works in his video Civilization. Some concepts have been raised as common ground to establish analogies between both artists, such as the triple composition, structural versatility and circularity. In order to understand the referential nature of Brambilla's work, the importance of 'videocolla- ge' is also addressed.

Document Type

Article


Published version

Language

Spanish

Publisher

Universitat de Barcelona

Related items

Reproducció del document publicat a: https://doi.org/10.1344/Materia2016.10-11.16

Matèria. Revista internacional d'Art , 2016, num. 10-11, p. 347-355

https://doi.org/10.1344/Materia2016.10-11.16

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Rights

cc-by (c) López del Rincón, Daniel, 2016

http://creativecommons.org/licenses/by/3.0/es

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