Universitat de Barcelona
2025-01-21T14:56:24Z
2025-01-21T14:56:24Z
2020
In this study we address the reception of Ab joi mou lo vers e·l comens (BEdT 70, 1), by contrasting the various texts that quote it: the troubadour florilegia Dc and F; So fo e·l tems c’om era gais and the Razos de trobar, by Ramon Vidal de Besalú; the Roman de la Violette, by Gerbert de Montreuil; the Mirall de Trobar by Berenguer d’Anoia; and the Breviari d’amor, by Matfre Ermengau. The varied typology of these contexts of reception gives us an idea of the fame of the canso, which, as it is known, is also confirmed by an extraordinary manuscript evidence (the song is preserved in 27 sources), as well as its musical fortune.
Capítulo o parte de libro
Versión publicada
Inglés
Literatura francesa medieval; Trobadors; Medieval French literature; Troubadours
Viella editrice
Reproducció del document publicat a: https://www.viella.it/download/5501/84232e0dbc58/los_motz.pdf
Capítol de llibre: Simó, Meritxell (ed.) Los motz e·l so afinant: cantar. llegir, escriure la lírica dels trobadors, Roma: Viella, 2020, ISBN 978-88-3313-130-6, pp. 159-184
IRCVM-Medieval Cultures ; 10
https://doi.org/10.52056/9788833134772
cc by-nc-nd (c) Viella, 2020
https://creativecommons.org/licenses/by-nc-nd/4.0/
