dc.contributor.author
Simó, Meritxell
dc.date.issued
2025-01-20T13:23:20Z
dc.date.issued
2025-01-20T13:23:20Z
dc.date.issued
2025-01-20T13:23:20Z
dc.identifier
https://hdl.handle.net/2445/217679
dc.description.abstract
[eng] The aim of this article is to document and interpret the intertextual relationship between Castelloza's BEdT 109, 2 and Bernart de Ventadorn's BEdT 70, 19. After a brief introduction to Castelloza's poetry and its critical reception, we will analyse the clues that allow us to postulate, on the part of the trobairitz, an allusive intention to the song BEdT 70, 19 by Bernart de Ventadorn. The reading of Castelloza's song in the light of this dialogical relationship, as well as the insertion of the trobadiritz's lyrical voice in the troubadour corpus as a wholeconsidered, must allow us to question the traditional vision of Castelloza as a 'melancholic' poetess, aware of her inferiority in relation to the esteemed being, revealing the parodic dimension of her poetry.
dc.format
application/pdf
dc.publisher
Universitat de València
dc.relation
Reproducció del document publicat a: https://doi.org/https://doi.org/10.7203/MCLM.9.24044
dc.relation
Magnificat Cultura i Literatura Medievals, 2022, vol. 9, p. 263-279
dc.relation
https://doi.org/https://doi.org/10.7203/MCLM.9.24044
dc.rights
cc-by (c) Simo, Meritxell, 2022
dc.rights
http://creativecommons.org/licenses/by/4.0/
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Filologia Clàssica, Romànica i Semítica)
dc.subject
Intertextualitat
dc.subject
Intertextuality
dc.title
Debat i paròdia als versos de les trobairitz: Castelloza (BEdT 109,2) vs Bernart de Ventadorn (BEdT 70, 19)
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion