2025-01-20T13:23:20Z
2025-01-20T13:23:20Z
2022
2025-01-20T13:23:20Z
[eng] The aim of this article is to document and interpret the intertextual relationship between Castelloza's BEdT 109, 2 and Bernart de Ventadorn's BEdT 70, 19. After a brief introduction to Castelloza's poetry and its critical reception, we will analyse the clues that allow us to postulate, on the part of the trobairitz, an allusive intention to the song BEdT 70, 19 by Bernart de Ventadorn. The reading of Castelloza's song in the light of this dialogical relationship, as well as the insertion of the trobadiritz's lyrical voice in the troubadour corpus as a wholeconsidered, must allow us to question the traditional vision of Castelloza as a 'melancholic' poetess, aware of her inferiority in relation to the esteemed being, revealing the parodic dimension of her poetry.
Article
Published version
Catalan
Universitat de València
Reproducció del document publicat a: https://doi.org/https://doi.org/10.7203/MCLM.9.24044
Magnificat Cultura i Literatura Medievals, 2022, vol. 9, p. 263-279
https://doi.org/https://doi.org/10.7203/MCLM.9.24044
cc-by (c) Simo, Meritxell, 2022
http://creativecommons.org/licenses/by/4.0/