Universitat de Barcelona
2021-10-11T15:03:30Z
2021-10-11T15:03:30Z
2012
2021-10-11T15:03:31Z
Abstract. Arises in the presentation using what is apprehended from the reality closer to the identity of the artist, in a duality of 'accumulation-stripping' to build a creative language, nourished by the fact that the environment is capable of synthesizing this reality in pure pictorial matter in which the gesture, acts both as a symbol of the perceived primal as the intrinsic value of the 'painting-painting' in itself, Keywords: Perception, síntesis, creative language, symbol, picture-painting
Artículo
Versión publicada
Castellano
Faculdade de Belas-Artes da Universidade de Lisboa y Centro de Investigação e Estudos em Belas-Artes (FBAUL/CIEBA)
Reproducció del document publicat a:
Revista :Estúdio, artistas sobre outras obras , 2012, vol. I, num. 5, p. 381-387
cc-by-nc (c) Periodicos CSO / Revista Estúdio, 2012
https://creativecommons.org/licenses/by-nc/4.0/
