2010-04-15T08:36:14Z
2010-04-15T08:36:14Z
2004
Podeu consultar la versió en català a: http://hdl.handle.net/2445/12131 ; i en castellà a: http://hdl.handle.net/2445/12132
Versió de l'article anteriorment publicat a: BELLS. Barcelona English language and literature studies, Núm. 13 (2004)
According to Literature and Film studies and from the point of view of the influence of Classical Tradition on Western Culture -Classical Greek Tradition, in this case-, this article is an accurate analysis of the inevitable -to a certain degree- screenwriters betrayals regarding the literary texts that they adapt. However, in spite of being practically inevitable, Dr. Pau Gilabert Barberà indicates which are in his opinion the limits beyond which Ivory/Hesketh-Harvey should have not gone in order not to dilute the Hellenic temper of E. M. Forster's Maurice.
Documento de trabajo
Inglés
Eros (Divinitat grega); Adaptacions cinematogràfiques; Hesketh-Harvey, Kit; Ivory James. Maurice; Forster, E. M. (Edward Morgan), 1879-1970. Maurice; Platonisme; Literatura anglesa; Homosexualitat en la literatura; Estudis lesbians i gais; Tradició clàssica; Cinematografia; Eros (Greek deity); Film adaptations; Hesketh-Harvey, Kit; Ivory James. Maurice; Forster, E. M. (Edward Morgan), 1879-1970. Maurice; Platonism; English literature; Homosexuality in literature; Gay and lesbian studies; Classical tradition; Cinematography
http://hdl.handle.net/2445/12131
http://hdl.handle.net/2445/12132
cc-by-nc-nd, (c) Gilabert, 2004
http://creativecommons.org/licenses/by-nc-nd/3.0/es/