2018-02-13T17:04:42Z
2018-02-13T17:04:42Z
2017
2018-02-13T17:04:42Z
The novel 'Un giorno perfetto' (A Perfect Day, 2005), which was adapted for the cinema by Ferzan Özpetek in 2008, is Melania G. Mazzucco's only novel to date to foray into the terrain of crime fiction.The frenetic pacing, the penchant for the ordinary and quotidian, and the fetishizing of weapons all work to create expectations that the narrative does not manage to bring to fruition. From the opening prolepsis, the novel's events diminish in significance and make way for a social reading in which gender violence is situated on a backdrop of a variety of social and familial difficulties as experienced by the characters. These are inserted into the urban geography of Italy's capital city. Beneath an apparently simple writing style is hidden the capacity to multiply motives and nuances to create a polyphonic novel in which even the soundtrack of songs of the time period acquire a structural function. Keywords: Melania G. Mazzucco; textual interpretation; contemporary italian narrative; crime novel.
Article
Versió publicada
Italià
Novel·la italiana; Italian fiction; Mazzucco, Melania G., 1966-. Giorno perfetto
Universitat Autònoma de Barcelona
Reproducció del document publicat a: http://revistes.uab.cat/quadernsitalia/article/view/v22-ardolino
Quaderns d'Italià, 2017, num. 22, p. 181-192
cc-by-nc (c) Ardolino, Francesco, 2017
http://creativecommons.org/licenses/by-nc/3.0/es