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dc.contributor | Universitat de Barcelona |
---|---|
dc.contributor.author | Ripoll Sintes, Blanca |
dc.date | 2018-09-25T13:34:38Z |
dc.date | 2018-09-25T13:34:38Z |
dc.date | 2016-12-31 |
dc.date | 2018-09-25T13:34:38Z |
dc.identifier.citation | 1134-6795 |
dc.identifier.citation | 663195 |
dc.identifier.uri | http://hdl.handle.net/2445/124794 |
dc.format | 18 p. |
dc.format | application/pdf |
dc.language.iso | spa |
dc.publisher | Universidad Autónoma de Madrid |
dc.relation | Reproducció del document publicat a: https://doi.org/10.15366/secuencias2016.42.002 |
dc.relation | Secuencias, 2016, vol. 2015, num. 42, p. 35-51 |
dc.relation | https://doi.org/10.15366/secuencias2016.42.002 |
dc.rights | cc-by (c) Ripoll Sintes, Blanca, 2016 |
dc.rights | info:eu-repo/semantics/openAccess |
dc.rights | http://creativecommons.org/licenses/by/3.0/es |
dc.subject | Crítica cinematogràfica |
dc.subject | Franquisme |
dc.subject | Revistes |
dc.subject | Film criticism |
dc.subject | Francoism |
dc.subject | Magazines (Periodicals) |
dc.title | Periodistas ante la pantalla: los inicios de la crítica cinematográfica en 'Destino' |
dc.type | info:eu-repo/semantics/article |
dc.type | info:eu-repo/semantics/publishedVersion |
dc.description.abstract |