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dc.contributor | Universitat de Barcelona |
---|---|
dc.contributor.author | Manonelles, Laia |
dc.date | 2018-06-15T08:57:38Z |
dc.date | 2018-06-15T08:57:38Z |
dc.date | 2016-06-01 |
dc.date | 2018-06-15T08:57:38Z |
dc.identifier.citation | 2013-8652 |
dc.identifier.citation | 680720 |
dc.identifier.uri | http://hdl.handle.net/2445/122980 |
dc.format | 26 p. |
dc.format | application/pdf |
dc.language.iso | spa |
dc.publisher | Universitat de Barcelona |
dc.relation | Reproducció del document publicat a: http://revistes.ub.edu/index.php/REGAC/issue/view/1623 |
dc.relation | Revista de Estudios Globales y Arte Contemporáneo, 2016, vol. 4, num. 1, p. 205-230 |
dc.rights | cc-by (c) Manonelles, Laia, 2016 |
dc.rights | info:eu-repo/semantics/openAccess |
dc.rights | http://creativecommons.org/licenses/by/3.0/es |
dc.subject | Art contemporani |
dc.subject | Performance (Art) |
dc.subject | Art xinès |
dc.subject | Contemporary art |
dc.subject | Performance art |
dc.subject | Chinese art |
dc.title | Cuando la fe mueve montañas: utopías poéticas y políticas |
dc.type | info:eu-repo/semantics/article |
dc.type | info:eu-repo/semantics/publishedVersion |
dc.description.abstract |