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dc.contributor | Universitat de Barcelona |
---|---|
dc.contributor.author | Seguro Gómez, M. Isabel (Maria Isabel) |
dc.date | 2017-03-27T13:42:50Z |
dc.date | 2017-03-27T13:42:50Z |
dc.date | 2009 |
dc.date | 2017-03-27T13:42:50Z |
dc.identifier.citation | 1988-5946 |
dc.identifier.citation | 568761 |
dc.identifier.uri | http://hdl.handle.net/2445/108971 |
dc.format | 7 p. |
dc.format | application/pdf |
dc.language.iso | eng |
dc.publisher | Centre d'Estudis Australians |
dc.relation | Reproducció del document publicat a: https://doi.org/10.1344/co2009317-23 |
dc.relation | Coolabah, 2009, vol. 3, p. 17-23 |
dc.relation | https://doi.org/10.1344/co2009317-23 |
dc.rights | cc-by (c) Seguro Gómez, M. Isabel (Maria Isabel), 2009 |
dc.rights | info:eu-repo/semantics/openAccess |
dc.rights | http://creativecommons.org/licenses/by/3.0/es |
dc.subject | Postcolonialisme |
dc.subject | Literatura americana |
dc.subject | Teatre |
dc.subject | Estats Units d'Amèrica |
dc.subject | Postcolonialism |
dc.subject | American literatures |
dc.subject | Theater |
dc.subject | United States |
dc.title | Hawaii, Hawaii/Like a Dream/So I came/But my tears/Are flowing now/In the canefields: Beauty's Price in Philip Kan Gotanda's Ballad of Yachiyo. |
dc.type | info:eu-repo/semantics/article |
dc.type | info:eu-repo/semantics/publishedVersion |
dc.description.abstract |