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dc.contributor | Universitat de Barcelona |
---|---|
dc.contributor.author | Paszkiewicz, Katarzyna |
dc.date | 2017-02-16T14:58:33Z |
dc.date | 2017-02-16T14:58:33Z |
dc.date | 2015 |
dc.date | 2017-02-16T14:58:33Z |
dc.identifier.citation | 1136-5781 |
dc.identifier.citation | 661556 |
dc.identifier.uri | http://hdl.handle.net/2445/107073 |
dc.format | 22 p. |
dc.format | application/pdf |
dc.language.iso | spa |
dc.publisher | GRC Creació i Pensament de les dones del Centre Dona i Literatura (UB), GRC Cos i Textualitat (UAB) |
dc.relation | Reproducció del document publicat a: http://doi.org/10.1344/105.000002450 |
dc.relation | Lectora, 2015, num. 21, p. 89-110 |
dc.relation | http://doi.org/10.1344/105.000002450 |
dc.rights | cc-by-nc-nd (c) Paszkiewicz, Katarzyna, 2015 |
dc.rights | info:eu-repo/semantics/openAccess |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/3.0/es |
dc.subject | Cinema policíac |
dc.subject | Dones |
dc.subject | Police films |
dc.subject | Women |
dc.title | A plena luz del día: Mataharis (2007) de Icíar Bollaín y la revisión del cine negro' |
dc.type | info:eu-repo/semantics/article |
dc.type | info:eu-repo/semantics/publishedVersion |
dc.description.abstract |