dc.contributor.author
Escoda, Clara
dc.date.accessioned
2026-03-12T23:37:30Z
dc.date.available
2026-03-12T23:37:30Z
dc.date.issued
2026-03-12T09:18:14Z
dc.date.issued
2026-03-12T09:18:14Z
dc.date.issued
2026-03-12T09:18:14Z
dc.identifier
https://hdl.handle.net/2445/228026
dc.identifier.uri
https://hdl.handle.net/2445/228026
dc.description.abstract
The Treatment was published in 1993, right aftes the fall of Berlín Wall. The tearing down of BerlinWall signified a transition from the social-oriented type of capitalism which has benn practised since the end of the World War TWO, into a tyoe of capitalism which has benn increasingly based on lasissez-faire, neo-liberal policies.
dc.format
application/pdf
dc.publisher
Universitatea din Craiova
dc.relation
Reproducció digital de l'article en format paper
dc.relation
Annals of the University of Craiova. Series Philology, English, 2010, vol. XI, num.2, p. 116-131
dc.rights
cc-by (c) Escoda Agustí, C., 2010
dc.rights
http://creativecommons.org/licenses/by/4.0/
dc.rights
info:eu-repo/semantics/openAccess
dc.title
In-Yer-Face Theatre' and the 'Society of Spectacle': The Violence of Progress in Martin Crimp's The Treatment
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion
