dc.contributor.author
Vives Piñas, Arnau
dc.date.accessioned
2026-01-21T14:09:08Z
dc.date.available
2026-01-21T14:09:08Z
dc.date.issued
2026-01-20T14:30:23Z
dc.date.issued
2026-01-20T14:30:23Z
dc.date.issued
2025-01-01
dc.date.issued
2026-01-20T14:30:23Z
dc.identifier
https://hdl.handle.net/2445/225831
dc.identifier.uri
http://hdl.handle.net/2445/225831
dc.description.abstract
The metaphor of the lover and the beloved is a literary device extensively cultivated in Ramon Llull’s oeuvre, a fundamental aspect to understand his spiritual project. Moreover, it works as an example to convey to the reader an art of contemplation that brings about inner transformation, based on the Lullian Art. This article describes the basis and mechanism of the art of contemplation through an analysis of the corpus about the lover and the beloved in Llull’s oeuvre.
dc.format
application/pdf
dc.publisher
The Pennsylvania State University Press
dc.relation
Versió postprint del document publicat a: https://doi.org/10.5325/jmedirelicult.51.1.0032
dc.relation
Journal of Medieval Religious Cultures, 2025, vol. 51, num.1 (January), p. 32-53
dc.relation
https://doi.org/10.5325/jmedirelicult.51.1.0032
dc.rights
cc-by-nc-nd (c) The Pennsylvania State University Press, 2025
dc.rights
http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights
info:eu-repo/semantics/openAccess
dc.subject
Literatura catalana
dc.subject
Literatura medieval
dc.subject
Catalan literature
dc.subject
Medieval literature
dc.title
The Art of Contemplation of Ramon Llull through the Metaphor of the Lover and the Beloved
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/acceptedVersion
