The Effects of Dramatic Fiction in a Catalan Baroque Re-Creation of Corneille's L'Illusion comique

dc.contributor.author
Solervicens, Josep
dc.date.issued
2025-11-14T15:55:39Z
dc.date.issued
2025-11-14T15:55:39Z
dc.date.issued
2021-03-01
dc.date.issued
2025-11-14T15:55:39Z
dc.identifier
0044-2747
dc.identifier
https://hdl.handle.net/2445/224402
dc.identifier
732573
dc.description.abstract
Corneille’s L’Illusion comique, published in 1639, is the basis of the mixture of genres that constitutes Lo desengany, poema dramàtic, written between 1645 and 1652 by the poet and dramatist Francesc Fontanella. While clearly inspired by Corneille’s work, the Catalan text differs substantially in the function it assigns to fiction and theatrical representation. The aim of this article will be to shed light not only on the points of connection between L’Illusion comique and Lo desengany (literally: disillusionment), but also – perhaps more importantly – on the differences between the concept of fiction and the functions assigned to this concept in the two works.
dc.format
10 p.
dc.format
application/pdf
dc.language
eng
dc.relation
https://doi.org/10.25162/zfsl-2021-0010
dc.relation
2021, vol. 131, num.1-2, p. 173-182
dc.relation
https://doi.org/10.25162/zfsl-2021-0010
dc.rights
, 2021
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Filologia Catalana i Lingüística General)
dc.subject
Teatre francès
dc.subject
Teatre català
dc.subject
Influència literària
dc.subject
French drama
dc.subject
Catalan drama
dc.subject
Literary influence
dc.title
The Effects of Dramatic Fiction in a Catalan Baroque Re-Creation of Corneille's L'Illusion comique
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/


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