The Jumara Festival of Panamá: Cinema and Body in Motion

O festival jumara no Panamá: cinema e corpo em movimento

dc.contributor.author
Izard Martínez, Gabriel
dc.date.accessioned
2025-11-19T21:56:54Z
dc.date.available
2025-11-19T21:56:54Z
dc.date.issued
2025-09-08T13:18:24Z
dc.date.issued
2025-09-08T13:18:24Z
dc.date.issued
2021-07-24
dc.date.issued
2025-09-08T13:18:24Z
dc.identifier
2175-6015
dc.identifier
https://hdl.handle.net/2445/223032
dc.identifier
720585
dc.identifier.uri
https://hdl.handle.net/2445/223032
dc.description.abstract
[eng[ Based on an ethnography of the First Jumara International Indigenous Film Festival, which took place in an Emberá community in Panama, the aim of this article is to delve deeper into the connection between the processes of ethnicity derived from Indigenous cinema and the processes of ethnicity derived from the meaning given to that cinema at specific events. At Jumara, Indigenous cinema was the reason for affirming Emberá culture and for championing, in a markedly festive and performative way, the group's main demands in a celebration in which the body and its ornamentation took on a special role. It is argued that the ethnographic focus on festivals organized in Indigenous communities makes it possible to fully analyze the committed and activist dimension of Indigenous cinema.
dc.description.abstract
[por] Com base na etnografia do Primer Festival Internacional de Cinema Indígena Jumara, realizado em uma comunidade Emberá do Panamá, o objetivo deste artigo é mergulhar na conexão dos processos étnicos derivados do cinema indígena com os processos étnicos derivados do significado atribuído a esse cinema em eventos específicos. Em Jumara, o cinema indígena foi o motivo para afirmar a cultura Emberá e reivindicar, de maneira marcadamente festiva e performativa, as principais demandas do grupo em uma celebração na qual o corpo e sua ornamentação assumiram um papel especial. Argumenta-se que o foco etnográfico nos festivais organizados nas comunidades indígenas permite analisar com profundidade a dimensão comprometida e ativista do cinema indígena.
dc.format
19 p.
dc.format
application/pdf
dc.format
application/pdf
dc.language
eng
dc.publisher
Universidade Estadual de Campinas
dc.relation
Reproducció del document publicat a: https://doi.org/10.20396/proa.v11i1.16614
dc.relation
Proa. Revista de Antropologia e Arte, 2021, vol. 11, num.1, p. 152-170
dc.relation
https://doi.org/10.20396/proa.v11i1.16614
dc.rights
cc-by (c) 2021 Proa: Revista de Antropologia e Arte, 2021
dc.rights
http://creativecommons.org/licenses/by/4.0/
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Antropologia Social)
dc.subject
Cinema etnogràfic
dc.subject
Pobles indígenes
dc.subject
Festivals de cinema
dc.subject
Panamà
dc.subject
Ethnographic films
dc.subject
Indigenous peoples
dc.subject
Film festivals
dc.subject
Panama
dc.title
The Jumara Festival of Panamá: Cinema and Body in Motion
dc.title
O festival jumara no Panamá: cinema e corpo em movimento
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion


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