Polyphonic Voices: Poetic and Musical Dialogues in the European Ars Nova

dc.contributor.author
Alberni, Anna
dc.contributor.author
Calvia, Antonio
dc.contributor.author
Lannutti, Maria Sofia
dc.date.issued
2024-10-25T16:12:07Z
dc.date.issued
2024-10-25T16:12:07Z
dc.date.issued
2021
dc.identifier
978-88-9290-147-6
dc.identifier
https://hdl.handle.net/2445/216062
dc.description.abstract
Reproducció del document publicat a: https://www.mirabileweb.it/edgalluzzo/miscellanee/m/1207
dc.description.abstract
The title of the present volume, Polyphonic Voices, alludes to the synergistic and interdisciplinary nature of the studies that it contains: it evokes the voices of polyphonic chant, which in the so-called Ars Nova reached unprecedented levels of complexity and sophistication, as well as Mikhail Bakhtin’s notion of polyphony, inspired by music theory and conceived as a structural element of the novel. According to Bakhtin, the polyphony of a literary text, also defined as “pluridiscursivity”, indicates a multi-voiced dialogue between characters, episodes or languages. Such polyphony, given by the continuous interaction of any discourse with other pre-existing ones (not necessarily attested in written form), generates the simultaneous presence of different and sometimes conflicting points of view, but it does not necessarily imply the evocation of other literary texts.
dc.format
320 p.
dc.format
application/pdf
dc.language
eng
dc.publisher
SISMEL – Edizioni del Galluzzo
dc.relation
La Tradizione musicale ; 22
dc.rights
(c) Alberni, Anna; Calvia, Antonio; Lannutti, Maria Sofia, 2021
dc.rights
info:eu-repo/semantics/restrictedAccess
dc.source
Llibres / Capítols de llibre (Filologia Catalana i Lingüística General)
dc.subject
Música sacra
dc.subject
Polifonia
dc.subject
Europa
dc.subject
Sacred music
dc.subject
Polyphony
dc.subject
Europe
dc.title
Polyphonic Voices: Poetic and Musical Dialogues in the European Ars Nova
dc.type
info:eu-repo/semantics/book


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