Françoise Collin y la escritura literaria: apuntes en torno a la obra y Rose qui peut

Abstract

This paper focuses on Françoise Collin's understanding and practice of writing (écriture) as an operation that engages interruption, continuity, variation, and alternation, among other types of movement. The author first analyses Collin's understanding of writing in her doctoral thesis, Maurice Blanchot et la question de l'écriture (1971). Having shown her failed attempt to focus on Blanchot's writing as interruption and repetition, the author focuses on Collin's second novel, Rose qui peut (1962), to underpin the relevance of interruption within the philosopher's own practice as a writer.