dc.contributor.author
Ramos Toledano, Joan
dc.date.issued
2023-02-21T16:11:10Z
dc.date.issued
2023-02-21T16:11:10Z
dc.date.issued
2023-02-21T16:11:10Z
dc.identifier
https://hdl.handle.net/2445/193854
dc.description.abstract
Intellectual property is a legal concept used to regulate cultural goods and artistic forms of expression. It constitutes a peculiar regulation, as it applies the categories of private property to intangible goods. With the spread of Information and Communications Technology (ICT), which has allowed for the reproduction and global diffusion of these cultural goods, conflicts concerning intellectual property have increased. This article attempts to analyze some difficulties in using a concept such as private property to approach the marketing of cultural goods, especially when technology eliminates the quality of scarcity of these goods, which can be infinitely reproduced at almost zero cost.
dc.format
application/pdf
dc.publisher
Taylor and Francis
dc.relation
Versió postprint del document publicat a: https://doi.org/10.1080/10632921.2018.1461724
dc.relation
The Journal of Arts Management, Law, and Society, 2018, vol. 48, num. 5, p. 339-350
dc.relation
https://doi.org/10.1080/10632921.2018.1461724
dc.rights
(c) Taylor and Francis, 2018
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Ciència Política, Dret Constitucional i Filosofia del Dret)
dc.subject
Digitalització
dc.subject
Propietat privada
dc.subject
Personal property
dc.title
Private Property Concerning Digitized Cultural Goods: Artificial Scarcity and Appropriation through Reproduction
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/acceptedVersion