Documentaries and the fiction/nonfiction divide

dc.contributor.author
García-Carpintero, Manuel
dc.date.issued
2021-07-19T11:25:05Z
dc.date.issued
2022-12-01T06:10:29Z
dc.date.issued
2021-05
dc.date.issued
2021-07-19T11:25:05Z
dc.identifier
1750-3280
dc.identifier
https://hdl.handle.net/2445/179198
dc.identifier
712095
dc.description.abstract
This paper rehearses a debate with Stacie Friend on the nature of the fiction/non-fiction divide. The paper first puts in a sharper focus the dividing issue, arguing that it is ontological in character. It focuses on how the distinction emerges in films, by contrasting fiction films with documentaries; Friend has also discussed films, even though the debate has mostly studied the literary case. The medium does not affect the main issues, but it raises interesting questions. After highlighting two important points of agreement with Friend, in contrast with some other proponents of a similar view on the present debate like Currie, the paper offers a normative account of the distinction, offering reasons to prefer it to Friend's.
dc.format
12 p.
dc.format
application/pdf
dc.language
eng
dc.publisher
Taylor and Francis
dc.relation
Versió postprint del document publicat a: https://doi.org/10.1080/17503280.2021.1923146
dc.relation
Studies in Documentary Film , 2021, vol. 15, num. 2, p. 163-174
dc.relation
https://doi.org/10.1080/17503280.2021.1923146
dc.rights
(c) Taylor and Francis, 2021
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Filosofia)
dc.subject
Cinema documental
dc.subject
Imaginació
dc.subject
Temes en la cinematografia
dc.subject
Filosofia
dc.subject
Anàlisi del discurs
dc.subject
Documentary films
dc.subject
Imagination
dc.subject
Themes in motion pictures
dc.subject
Philosophy
dc.subject
Discourse analysis
dc.title
Documentaries and the fiction/nonfiction divide
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/acceptedVersion


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