dc.contributor.author
Alberni, Anna
dc.date.issued
2021-05-17T11:56:03Z
dc.date.issued
2021-05-17T11:56:03Z
dc.date.issued
2021-05-17T11:56:03Z
dc.identifier
https://hdl.handle.net/2445/177340
dc.description.abstract
All Christian, Jewish and Muslim peoples are constantly concerned with com-posing and singing'. This was written by Ramon Vidal de Besalú, a Catalantroubadour who lived in the thirteenth century in the Crown of Aragón. Headdressed his work, the poetic and grammatical treatiseRazos de trobar,toacommunity of"connoisseurs"who saw the performance of courtly music andpoetry as a fundamental civilising agent. But who were those poets and musi-cians? For whom did they perform? What was their role in fostering a performa-tive dimension of cultural life in the late Middle Ages? Finally, how did thiscontribute to the social value of the poet and musician as an artist?
dc.format
application/pdf
dc.relation
Reproducció del document publicat a: https://doi.org/10.1515/jtms-2018-0037
dc.relation
Journal of Transcultural Medieval Studies, 2018, vol. 5, num. 2, p. 438-444
dc.relation
https://doi.org/10.1515/jtms-2018-0037
dc.relation
info:eu-repo/grantAgreement/EC/H2020/772762/EU//MiMus
dc.rights
(c) De Gruyter, 2018
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Filologia Catalana i Lingüística General)
dc.subject
Música medieval
dc.subject
Poesia medieval
dc.subject
Medieval music
dc.subject
Medieval poetry
dc.title
Ioculator seu mimus, Performing Music and Poetry in medieval Iberia
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion