dc.contributor.author
Sari, Simone
dc.date.issued
2020-12-07T10:30:41Z
dc.date.issued
2020-12-07T10:30:41Z
dc.date.issued
2020-07-07
dc.date.issued
2020-12-07T10:30:41Z
dc.identifier
https://hdl.handle.net/2445/172579
dc.description.abstract
Ramon Llull's Hundred Names of God has been interpreted, due to its prologue, almost exclusively as an apologetic work against Islam. In this paper, we will demonstrate that this Islamic suggestion has to be considered only as a partial source of this poem, which is aimed mainly to a Christian public and is founded in religious traditions deep-rooted in Europe.
dc.format
application/pdf
dc.relation
https://doi.org/10.13130/2282-7447/12123
dc.relation
Carte Romanze, 2020, vol. 8, num. 1, p. 173-197
dc.relation
https://doi.org/10.13130/2282-7447/12123
dc.relation
info:eu-repo/grantAgreement/EC/H2020/746221/EU//Christianus Arabicus
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Filologia Catalana i Lingüística General)
dc.subject
Literatura èpica
dc.subject
Cançons de gesta
dc.subject
Epic literature
dc.subject
Chansons de geste
dc.title
I Cent noms de Déu di Ramon Llull. Il Corano e l'epica romanza
dc.type
info:eu-repo/semantics/article
