dc.contributor.author
Torelló Oliver, Josep
dc.contributor.author
Swarbrick, Josephine
dc.date.issued
2020-09-28T09:51:43Z
dc.date.issued
2020-09-28T09:51:43Z
dc.date.issued
2019-12-27
dc.date.issued
2020-09-28T09:51:43Z
dc.identifier
https://hdl.handle.net/2445/170892
dc.description.abstract
Despite traditionally having been studied within the field of Musicology, the analysis of music in film should be approached as an aesthetic study of the relationship between «image» and «music» which is central to the cinematographic framework. From this interdisciplinary perspective numerous theoretical and methodological issues emerge. The aim of this article is to investigate, using both a synchronic and diachronic focus, some of the key issues arising from this joint music-image approach, in an attempt to develop a theoretical framework for a joint aesthetic of music and image: a study of «cinematographic expression» that brings together the visual and the sound dimensions and which we call the «musicalised image», a neologism of our own creation.
dc.format
application/pdf
dc.publisher
Firenze University Press
dc.relation
Reproducció del document publicat a: https://doi.org/10.13128/Aisthesis-10733
dc.relation
Aisthesis. Practiche, linguaggi e saperi dell'estetico, 2019, vol. 12, num. 2, p. 165-175
dc.relation
https://doi.org/10.13128/Aisthesis-10733
dc.rights
cc-by-nc (c) Torelló Oliver, Josep et al., 2019
dc.rights
http://creativecommons.org/licenses/by-nc/3.0/es
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Arts Visuals i Disseny)
dc.subject
Cinematografia
dc.subject
Motion pictures
dc.title
The «Musicalised Image»: A Joint Aesthetic of Music and Image in Film
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion
