dc.contributor.author
Lama López, María Xesús
dc.date.issued
2020-03-12T12:41:55Z
dc.date.issued
2020-03-12T12:41:55Z
dc.date.issued
2020-03-12T12:41:56Z
dc.identifier
https://hdl.handle.net/2445/152611
dc.description.abstract
Manuel Rivas' contribution to crime fiction analyzes drug trafficking and the social and political corruption associated with it from a peculiarly intimate perspective. The justification for the fluctuation in the novel between the bildungsroman and the crime novel is the use of adolescents as main characters, thereby bringing to the fore the way in which organized crime breaks apart both society and individuals, as everyone, including the criminals, is destroyed by their engagement with a corrupt power. The narrative focus reinforces social and moral criticism, and relegates the restoration of order and justice to the plane of utopia.
dc.format
application/pdf
dc.publisher
Universitat de Barcelona
dc.relation
Reproducció del document publicat a: https://doi.org/10.1344/abriu2014.3.6
dc.relation
Abriu. Estudos de textualidade do Brasil, Galicia e Portugal, 2014, num. 3, p. 97-112
dc.relation
https://doi.org/10.1344/abriu2014.3.6
dc.rights
cc-by-nc-nd (c) Lama López, María Xesús, 2014
dc.rights
http://creativecommons.org/licenses/by-nc-nd/3.0/es
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Llengües i Literatures Modernes i Estudis Anglesos)
dc.subject
Novel·la policíaca
dc.subject
Literatura gallega
dc.subject
Detective and mystery stories
dc.subject
Galician literature
dc.title
Novela negra ou hibridación do xénero?: A cara máis íntima do mal en Todo é silencio de Manuel Rivas
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion
