dc.contributor.author
Marcos Hierro, Ernest, 1963-
dc.date.issued
2020-01-31T14:03:57Z
dc.date.issued
2020-01-31T14:03:57Z
dc.date.issued
2020-01-31T14:03:57Z
dc.identifier
https://hdl.handle.net/2445/149177
dc.description.abstract
This paper deals with the reception of Euripides' tragedy Alcestis in the context of the Quarrel of the Ancients and the Moderns during the reign of King Louis XIV of France through the analysis of three important works: the controversial opera Alceste (1674) with libretto by French dramatist Philippe Quinault and music by Italian composer Jean-Baptiste Lully, the defence of this play written by Charles Perrault and its critic by Jean Racine in the Preface of his Iphigénie. From these textes emerges a vision of all the defaults which both Ancients and Moderns of the century of Louis the Great perceived in Euripides' works.
dc.format
application/pdf
dc.publisher
Institut d'Estudis Catalans
dc.relation
Reproducció del document publicat a: https://doi.org/10.2436/20.2501.01.53
dc.relation
Ítaca. Quaderns Catalans de Cultura Clàssica, 2014, num. 30, p. 115-134
dc.relation
https://doi.org/10.2436/20.2501.01.53
dc.rights
cc-by-nc-nd (c) Marcos Hierro, Ernest, 1963-, 2014
dc.rights
http://creativecommons.org/licenses/by-nc-nd/3.0/es
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Filologia Clàssica, Romànica i Semítica)
dc.subject
Eurípides, aproximadament 480 aC-406 aC. Alcestis
dc.title
La querella de l'Alceste: Eurípides corregit per Quinault i Lully
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion
