dc.contributor.author
Garriga, Carles, 1954-
dc.date.issued
2020-01-30T14:04:21Z
dc.date.issued
2020-01-30T14:04:21Z
dc.date.issued
2020-01-30T14:04:21Z
dc.identifier
https://hdl.handle.net/2445/149069
dc.description.abstract
The trial scene in the Eumenides of Aeschylus has been interpreted as a notorious example of tragic ambiguity, where beside the joy remains the ancestral anguish. An unbiased reading of the text and a closer study of the Athenian myths and rituals helps to interpret the scene in a more appropriate manner to the cultural context of Aeschylus.
dc.format
application/pdf
dc.publisher
Institut d'Estudis Catalans
dc.relation
Reproducció del document publicat a: https://doi.org/10.2436/20.2501.01.49
dc.relation
Ítaca. Quaderns Catalans de Cultura Clàssica, 2014, num. 30, p. 43-58
dc.relation
https://doi.org/10.2436/20.2501.01.49
dc.rights
cc-by-nc-nd (c) Garriga, Carles, 1954-, 2014
dc.rights
http://creativecommons.org/licenses/by-nc-nd/3.0/es
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Filologia Clàssica, Romànica i Semítica)
dc.subject
Tragèdia grega
dc.subject
Filologia clàssica
dc.subject
Greek drama (Tragedy)
dc.subject
Classical philology
dc.title
L'absolució d'Orestes i l'angoixa de l'espectador
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion
