dc.contributor.author
Figueras Ferrer, Eva
dc.date.issued
2019-11-13T14:31:34Z
dc.date.issued
2019-11-13T14:31:34Z
dc.date.issued
2019-11-13T14:31:34Z
dc.identifier
https://hdl.handle.net/2445/144675
dc.description.abstract
Such is the ideological disparity between Abraham Bosse's first intaglio review (1645) and the extended revised edition by N. Ch Cochin (1745), that we can virtually speak of two different works: In order to understand the conceptual gap between the two, it is important to take into account, that when the Academy of Fine Arts of Paris was founded, in the second half of the XVII century, in France there was a fundamental shift of thought regarding art education and training, and art in general
dc.format
application/pdf
dc.format
application/pdf
dc.publisher
Center for Promoting Ideas
dc.relation
Reproducció del document publicat a: http://www.ijhssnet.com/journal/index/2496; http://www.ijhssnet.com
dc.relation
International Journal of Humanities and Social Science (IJHSS), 2014, vol. 4, num. 7, p. 24-33
dc.rights
(c) Figueras Ferrer, Eva, 2014
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Arts Visuals i Disseny)
dc.subject
Bosse, Abraham, 1602-1676
dc.title
From artistic engraving to reproductive engraving through a critical/analytical study of Abraham Bosse's treatise
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion
