dc.contributor.author
Carroggio de Molina, Alberto, 1946-
dc.date.issued
2010-07-27T08:56:11Z
dc.date.issued
2010-07-27T08:56:11Z
dc.date.issued
2010-07-27
dc.identifier
https://hdl.handle.net/2445/13442
dc.description.abstract
Podeu consultar la versió en castellà: http://hdl.handle.net/2445/10357
dc.description.abstract
The figurative painter accesses very complex levels of knowledge. To produce a painting requires, first, a deep analysis of the image of the reality and, afterwards, the study of the reconstruction of this reality. This is not about a process of copying, but a process of the comprehension of the concepts that appear in the representation. The drawing guides us in the process of the production of the surface and in the distribution of the colours that, after all, are the data with which the vision mechanism builds the visual reality. Knowing the colour and its behaviour have always been a requirement for the figurative painter. From that knowledge we can draw wider conclusions.
dc.format
application/pdf
dc.format
application/pdf
dc.relation
Documents de treball (Dibuix - Art i Ciencia)
dc.rights
cc-by-nc-nd, (c) Carroggio de Molina, 2010
dc.rights
http://creativecommons.org/licenses/by-nc-nd/3.0/
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Documents de treball / Informes (Arts Conservació-Restauració)
dc.title
The Sensation of colour
dc.type
info:eu-repo/semantics/workingPaper
