dc.contributor.author
Vernet i Pons, Eulàlia
dc.date.issued
2019-03-27T16:28:22Z
dc.date.issued
2019-03-27T16:28:22Z
dc.date.issued
2019-03-27T16:28:22Z
dc.identifier
https://hdl.handle.net/2445/130973
dc.description.abstract
The studies on the type of versification that the Rhenish abbess and mystic Hildegard of Bingen (1098-11179) used in her works are scarce, and even more so those specifically devoted to her Ordo Virtutum or Order of the Virtues, one of the most outstanding Latin melodramas of the Middle Ages, written around 1151. This article aims to fill this void. On the one hand it will offer a precise description of the type of metre that can be found in the free verses of the Ordo Virtutum, which, as will be shown, are very close to Hebrew biblical poetry; on the other hand, it will discuss the biblical lyrical images of the text in order to show the biblical background that pervades this melodrama.
dc.format
application/pdf
dc.publisher
Institut de Recerca en Cultures Medievals (UB)
dc.relation
Reproducció del document publicat a: http://revistes.ub.edu/index.php/SVMMA/article/viewFile/21468/23253
dc.relation
Svmma. Revista de Cultures Medievals, 2017, vol. 10, p. 67-83
dc.rights
cc-by-nc-sa (c) Vernet i Pons, Eulàlia, 2017
dc.rights
http://creativecommons.org/licenses/by-nc-sa/3.0/es
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Filologia Clàssica, Romànica i Semítica)
dc.subject
Hildegarda, santa, 1098-1179
dc.title
La poesia en Hildegarda de Bingen: un estudi sobre les arrels bíbliques de l'Ordo Virtutum
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion
