dc.contributor.author
Gilabert Barberà, Pau
dc.date.issued
2010-04-19T14:55:00Z
dc.date.issued
2010-04-19T14:55:00Z
dc.identifier
https://hdl.handle.net/2445/12192
dc.description.abstract
Podeu consultar la versión en català a: http://hdl.handle.net/2445/12191 ; i en castellà a: http://hdl.handle.net/2445/12190
dc.description.abstract
Beyond the explicit reference to the Greek tragedy and Oedipus, the aim of this article is to show the clear relationship, in the author's opinion, between what the protagonists of the film maintain and the theories of the Greek Sophists about God, the law, etc. An accurate analysis both of their texts and the screenplay of Crimes and Misdemeanors reveals different sophistic roots, which, in this case, cannot be attributed to the constant presence of the Jewish legacy in W. Allen's work.
dc.format
application/pdf
dc.relation
http://hdl.handle.net/2445/12191
dc.relation
http://hdl.handle.net/2445/12190
dc.rights
cc-by-nc-nd, (c) Gilabert, 2008
dc.rights
http://creativecommons.org/licenses/by-nc-nd/3.0/es/
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Llibres / Capítols de llibre (Filologia Clàssica, Romànica i Semítica)
dc.subject
Filosofia grega
dc.subject
Tradició clàssica
dc.subject
Tragèdia grega
dc.subject
Sofistes (Filosofia)
dc.subject
Cinematografia
dc.subject
Greek philosophy
dc.subject
Classical tradition
dc.subject
Sophists (Greek philosophy)
dc.subject
Cinematography
dc.subject
Crimes and misdemeanors (Motion picture)
dc.subject
Diagoras, of Melos
dc.subject
Critias, ca. 460-ca. 403 B.C.
dc.subject
Antiphon, ca. 480-411 B.C.
dc.subject
Crimes and misdemeanors (Pel·lícula cinematogràfica)
dc.subject
Sòfocles, 496-406 aC
dc.subject
Protàgores, ca. 485-ca. 410 aC
dc.subject
Diàgores, de Melos
dc.subject
Críties, ca. 460-ca. 403 aC
dc.subject
Antifont, ca. 480-411 aC
dc.title
New York versus Tragedy and Oedipus. The Legacy of Sophocles and the Sophists in Woody Allen's "Crimes and Misdemeanors"
dc.type
info:eu-repo/semantics/workingPaper
