dc.contributor.author
Gilabert Barberà, Pau
dc.date.issued
2010-04-15T08:26:47Z
dc.date.issued
2010-04-15T08:26:47Z
dc.identifier
https://hdl.handle.net/2445/12129
dc.description.abstract
Podeu consultar la versió en català a: http://hdl.handle.net/2445/12127 ; i en castellà a: http://hdl.handle.net/2445/12128
dc.description.abstract
In Death in Venice Thomas Mann refers explicitly to Plato's Symposium and Phaedrus in order to explain the relationship between Gustav von Aschenbach and Tadzio but he hides that his novel also depends on Plutarch's Eroticus. Why? The aim of this article is precisely to reveal the different reasons for such an attitude. Indeed, Plutarch speaks highly of conjugal love in his Eroticus and this way is not followed by Mann in Death in Venice but, at the same, the German writer finds in this Plutarch's philosophical dialogue all the necessary elements to build his story of masculine love and decides not to manage without it.
dc.format
application/pdf
dc.format
application/pdf
dc.relation
http://hdl.handle.net/2445/12127
dc.relation
http://hdl.handle.net/2445/12128
dc.rights
cc-by-nc-nd, (c) Gilabert, 2008
dc.rights
http://creativecommons.org/licenses/by-nc-nd/3.0/es/
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Filologia Clàssica, Romànica i Semítica)
dc.subject
Mann, Thomas, 1875-1955. Tod in Venedig
dc.subject
Plutarc. Amatorius
dc.subject
Eros (Divinitat grega)
dc.subject
Filosofia grega
dc.subject
Tradició clàssica
dc.subject
Literatura alemanya
dc.subject
Estudis lesbians i gais
dc.subject
Mann, Thomas, 1875-1955. Tod in Venedig
dc.subject
Plutarch. Amatorius
dc.subject
Eros (Greek deity)
dc.subject
Greek philosophy
dc.subject
Classical tradition
dc.subject
German literature
dc.subject
Gay and lesbian studies
dc.title
Thomas Mann's Death in Venice or Plutarch's way towards Eros
dc.type
info:eu-repo/semantics/workingPaper
