dc.contributor.author
Fratini, Roberto
dc.date.accessioned
2025-02-21T12:37:07Z
dc.date.available
2025-02-21T12:37:07Z
dc.date.issued
2014-12-31
dc.identifier.isbn
978-84-942034-1-1
dc.identifier.uri
http://hdl.handle.net/2072/481507
dc.description.abstract
The essay analyses the forms and figures of Motion as a theme, as a structural motive and as a rhetoric matter (through its metaphors, allegories and theoretical meanings) in the three Books of Dante’s Divina Commedia, with special attention to the Dantean treatment of the choreutic aspects of it in the different domains of material “ball” (more inherent to the dynamic landscape of Hell), of physical “toil” or “labour” (in the penitential scheme of the Purgatory) and of incorporeal “Dance” (on the metaphysical backdrop of Paradise). The aim of the study is to suggest some tools for the possible study of a metaphoric and figurative archaeology of dance in the literature of the late Middle Ages
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dc.format.extent
85-108 p.
ca
dc.publisher
https://doi.org/10.51417/trama_01_07
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dc.relation.ispartof
Buttà, L., Carruesco Garcia, J., Massip, F., & Subías Pascual, E. (2014). Danses imaginades, danses relatades. Paradigmes iconogràfics del ball des de l’Antiguitat clàssica fins a l’edat mitjana = Dancing Images and Tales. Iconography of dance from Classical to Middle Age. Institut Català d’Arqueologia Clàssica. https://doi.org/10.51417/trama_01
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dc.relation.ispartofseries
Trama;01
dc.rights
© d’aquesta edició, Institut Català d’Arqueologia Clàssica (ICAC)
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dc.rights
© del text, els autors
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dc.rights
© de les fotografies i il·lustracions, els autors, llevat que s'indiqui el contrari
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dc.rights
Attribution-NonCommercial-NoDerivatives 3.0
*
dc.rights.uri
https://creativecommons.org/licenses/by-nc-nd/3.0/
*
dc.title
Vacabimus. Appunti per una cinesiologia dantesca
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dc.type
info:eu-repo/semantics/bookPart
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dc.description.version
info:eu-repo/semantics/publishedVersion
ca
dc.identifier.doi
https://doi.org/10.51417/trama_01_07
dc.rights.accessLevel
info:eu-repo/semantics/openAccess
