To access the full text documents, please follow this link: http://hdl.handle.net/2445/103105
dc.contributor | Universitat de Barcelona |
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dc.contributor.author | Moreno Cano, Maria |
dc.date | 2016-11-02T09:32:20Z |
dc.date | 2016-11-02T09:32:20Z |
dc.date | 2016-10-25 |
dc.identifier.uri | http://hdl.handle.net/2445/103105 |
dc.format | 11 p. |
dc.format | application/pdf |
dc.language.iso | cat |
dc.rights | cc-by-nc-nd (c) Moreno Cano, 2016 |
dc.rights | info:eu-repo/semantics/openAccess |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/3.0/es/ |
dc.subject | Música |
dc.subject | Intel·ligències múltiples |
dc.subject | Mozart, Wolfgang Amadeus, 1756-1791 |
dc.title | Efecte Mozart. Història de la música: Llenguatges i metodologies |
dc.type | info:eu-repo/semantics/workingPaper |
dc.description.abstract | |
dc.description.abstract |