dc.contributor.author |
Grau Guijarro, Sergi |
dc.date.accessioned |
2024-01-15T09:41:15Z |
dc.date.available |
2024-01-15T09:41:15Z |
dc.date.issued |
2023 |
dc.identifier.issn |
2159-3159 |
dc.identifier.uri |
http://hdl.handle.net/2072/537165 |
dc.format.extent |
19 p. |
dc.language.iso |
eng |
dc.publisher |
Duke University Press |
dc.relation.ispartof |
Greek, Roman, and Byzantine Studies 63 (2023), p. 447–465 |
dc.rights |
Article copyright held by the author(s) and made available under the Creative Commons Attribution LicenseCC-BY https://creativecommons.org/licenses/by/4.0/ |
dc.source |
RECERCAT (Dipòsit de la Recerca de Catalunya) |
dc.subject.other |
Procopi |
dc.title |
Theodora, a (not so) Holy Harlot: Procopius’ Secret History and the Hagiographic Narrative |
dc.type |
info:eu-repo/semantics/article |
dc.type |
info:eu-repo/semantics/publishedVersion |
dc.subject.udc |
9 - Geografia i història |
dc.embargo.terms |
cap |
dc.rights.accessLevel |
info:eu-repo/semantics/openAccess |
dc.description.abstract |
Procopius’ portrait of Theodora is constructed as a deliberate inversion of that of the “holy harlot” saints who repent of their past lives, effectively denying her the redemption that they earn. |