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dc.contributor.author | Faxedas, Maria Lluïsa |
---|---|
dc.date | 2017-02-09T08:22:36Z |
dc.date | 2017-02-09T08:22:36Z |
dc.date | 2016-07-15 |
dc.identifier.citation | 2190-3328 |
dc.identifier.uri | http://hdl.handle.net/10256/13581 |
dc.format | application/pdf |
dc.language.iso | eng |
dc.publisher | RIHA-International Association of Research Institutes in the History of Art |
dc.relation | Reproducció digital del document publicat a: http://www.riha-journal.org/articles/2016/0131-0140-special-issue-southern-modernisms/0135-faxedas-brujats |
dc.relation | RIHA. Journal of International Association of Research Institutes in the History of Art, 2016, art. 0135 |
dc.relation | Articles publicats (D-H) |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 Spain |
dc.rights | info:eu-repo/semantics/openAccess |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/3.0/es/ |
dc.subject | Barradas, Rafael, 1890-1929 |
dc.subject | Pintura moderna -- S. XX |
dc.subject | Painting, Modern -- 20th century |
dc.title | Barradas' Vibrationism and its Catalan Contex |
dc.type | info:eu-repo/semantics/article |
dc.type | info:eu-repo/semantics/publishedVersion |
dc.description.abstract |