dc.contributor |
Universitat Pompeu Fabra |
dc.contributor.author |
Sentürk, Sertan |
dc.contributor.author |
Holzapfel, Andre |
dc.contributor.author |
Serra, Xavier |
dc.date |
2012 |
dc.identifier.citation |
Şentürk S, Holzapfel A, Serra X. An Approach for linking score and audio recordings in Makam music of Turkey. In: Serra X, Rao P, Murthy H, Bozkurt B, editors. Proceedings of the 2nd CompMusic Workshop; 2012 Jul 12-13; Istanbul, Turkey. Barcelona: Universitat Pompeu Fabra; 2012. p. 95-106. |
dc.identifier.uri |
http://hdl.handle.net/10230/20424 |
dc.format |
application/pdf |
dc.language.iso |
eng |
dc.publisher |
Universitat Pompeu Fabra |
dc.relation |
Serra X, Rao P, Murthy H, Bozkurt B, editors. Proceedings of the 2nd CompMusic Workshop; 2012 Jul 12-13; Istanbul, Turkey. Barcelona: Universitat Pompeu Fabra; 2012. p. 95-106. |
dc.relation |
info:eu-repo/grantAgreement/EC/FP7/267583 |
dc.rights |
© 2012 Sertan Sentürk et al. This is an open-access article distributed/nunder the terms of the Creative Commons Attribution 3.0 Unported License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. |
dc.rights |
info:eu-repo/semantics/openAccess |
dc.rights |
http://creativecommons.org/licenses/by/3.0/ |
dc.subject |
So -- Enregistrament i reproducció |
dc.subject |
Música -- Turquia |
dc.title |
An approach for linking score and audio recordings in Makam music of Turkey |
dc.type |
info:eu-repo/semantics/conferenceObject |
dc.type |
info:eu-repo/semantics/publishedVersion |
dc.description.abstract |
The main information sources to study a particular piece of music are symbolic scores and audio recordings. These are complementary representations of the piece and it is/nvery useful to have a proper linking between the two of the musically meaningful events. For the case of makam music of Turkey, linking the available scores with the corresponding/naudio recordings requires taking the specificities of this music into account, such as the particular tunings, the extensive usage of non-notated expressive elements, and the way in which the performer repeats fragments/nof the score. Moreover, for most of the pieces of the classical repertoire, there is no score written by the original composer. In this paper, we propose a methodology to pair sections of a score to the corresponding fragments of audio recording performances. The pitch information obtained from both sources is used as the common representation/nto be paired. From an audio recording, fundamental frequency estimation and tuning analysis is done to compute a pitch contour. From the corresponding score, symbolic note names and durations are converted to a synthetic/npitch contour. Then, a linking operation is performed between these pitch contours in order to find the best correspondences./nThe method is tested on a dataset of 11 compositions spanning 44 audio recordings, which are mostly monophonic. An F3-score of 82% and 89% are obtained with automatic and semi-automatic karar detection respectively,/nshowing that the methodology may give us a needed tool for further computational tasks such as form analysis, audio-score alignment and makam recognition. |
dc.description.abstract |
This research was funded by the European/nResearch Council under the European Union’s Seventh/nFramework Programme (FP7/2007-2013) / ERC grant/nagreement 267583 (CompMusic Project). |