dc.contributor.author
Veny-Mesquida, Joan R.
dc.date.accessioned
2026-03-02T19:26:41Z
dc.date.available
2026-03-02T19:26:41Z
dc.date.issued
2025-12-10
dc.identifier
https://doi.org/10.4467/20843917RC.25.026.22361
dc.identifier
https://hdl.handle.net/10459.1/469688
dc.identifier.uri
https://hdl.handle.net/10459.1/469688
dc.description.abstract
This article aims to show the two processes of the genesis, lato sensu, of “Això és la joia” by Màrius Torres. The first outlines the path along which the poet lays the stones of the construction of his own reflections, the germ of ideas and feelings (such as pain, melancholy, joy), in anticipation of an explosion towards the outside, of a determined literary materialization. The second process is constituted by the material genesis of the poem, when, after the impact caused by “Das ist die Sehnsucht” by Rilke, he elaborates a first version of the text which, thanks to a commentary by Joan Sales, he reworks and turns, in a second version, into this little gem of 20th-century Catalan poetry.
dc.publisher
Jagiellonian University Press
dc.relation
Reproducció del document publicat a https://doi.org/10.4467/20843917RC.25.026.22361
dc.relation
Romanica Cracoviensia, 2025, tom 25, número especial 5, p. 177-186
dc.rights
cc-by (c) Veny-Mesquida, Joan R., 2025
dc.rights
Attribution 4.0 International
dc.rights
info:eu-repo/semantics/openAccess
dc.rights
http://creativecommons.org/licenses/by/4.0/
dc.subject
Textual genetics
dc.subject
Critica delle varianti
dc.subject
20th-century Catalan poetry
dc.title
"Durch Leiden, Freude": sobre la gènesi d’"Això és la joia", de Màrius Torres
dc.title
"Durch Leiden, Freude": On the genesis of "Això es la joia" by Màrius Torres
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion
