dc.contributor.author
Pardo Salgado, Carmen
dc.date.accessioned
2026-01-22T10:08:20Z
dc.date.available
2026-01-22T10:08:20Z
dc.date.issued
2022-08-22
dc.identifier
http://hdl.handle.net/10256/28152
dc.identifier.uri
https://hdl.handle.net/10256/28152
dc.description.abstract
The most recent practices in sound art have emerged as pre-eminent spaces in which to question the interaction of sound with its environment. Accordingly, in this article, I envisage Arrhythmia, the sound installation by Bosch and Simons with Kostyrko (2019), as a device that helps to outline a horizontal sound ecology. This approach, which takes as its starting point the sound and material vibration in its entirety, implies a positive acceptance of an ontological continuity between the human and the non-human. This, in turn, implies that issues such as biopolitics cannot be reduced to the human realm. With this in mind, Arrhythmia emerges as a new kind of singular entity from which relationships with the environment can be conceived in a non-fragmented wa
dc.format
application/pdf
dc.publisher
Cambridge University Press
dc.relation
info:eu-repo/semantics/altIdentifier/doi/10.1017/S1355771822000255
dc.relation
info:eu-repo/semantics/altIdentifier/issn/1355-7718
dc.relation
info:eu-repo/semantics/altIdentifier/eissn/1469-8153
dc.rights
Attribution-NonCommercial-NoDerivatives 4.0 International
dc.rights
http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights
info:eu-repo/semantics/openAccess
dc.source
© Organised Sound: An International Journal of Music and Technology, 2022, vol. 27, núm. 1, p. 86-93
dc.source
Articles publicats (D-H)
dc.subject
Instal·lacions (Art)
dc.subject
Installations (Art)
dc.title
Ecologies of Sound with Regard to Arrhythmia
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/acceptedVersion
