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dc.contributor | Universitat de Barcelona |
---|---|
dc.contributor.author | Rodríguez Morató, Arturo |
dc.date | 2012-04-13T10:09:37Z |
dc.date | 2012-04-13T10:09:37Z |
dc.date | 1988 |
dc.identifier.citation | 0210-2862 |
dc.identifier.citation | 58868 |
dc.identifier.uri | http://hdl.handle.net/2445/23704 |
dc.format | 53 p. |
dc.format | application/pdf |
dc.language.iso | spa |
dc.publisher | Departament de Sociologia, Universitat Autònoma de Barcelona |
dc.relation | Reproducció del document publicat a: http://dx.doi.org/10.5565/rev/papers/v29n0.1460 |
dc.relation | Papers : revista de sociologia, 1988, núm. 29, p. 9-61 |
dc.relation | http://dx.doi.org/10.5565/rev/papers/v29n0.1460 |
dc.rights | cc-by-nc (c) Rodríguez Morató, 1988 |
dc.rights | info:eu-repo/semantics/openAccess |
dc.rights | http://creativecommons.org/licenses/by-nc/3.0/es |
dc.subject | Sociologia de la música |
dc.subject | Sociology of music |
dc.subject | Weber, Max, 1864-1920 |
dc.title | La trascendencia teórica de la sociología de la música. El caso de Max Weber |
dc.type | info:eu-repo/semantics/article |
dc.type | info:eu-repo/semantics/publishedVersion |
dc.description.abstract |