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               <dc:title>The medieval stained glass in Catalonia: Girona cathedral</dc:title>
               <dc:creator>Pradell, Trinitat</dc:creator>
               <dc:creator>Cañellas, Sílvia</dc:creator>
               <dc:creator>Bonet, Jordi</dc:creator>
               <dc:creator>Garcia Vallès, Maite</dc:creator>
               <dc:creator>Santolària, Anna</dc:creator>
               <dc:subject>Vidre ornamental</dc:subject>
               <dc:subject>Vitralls</dc:subject>
               <dc:subject>Catedrals</dc:subject>
               <dc:subject>Edat mitjana</dc:subject>
               <dc:subject>Vidre</dc:subject>
               <dc:subject>Girona (Catalunya)</dc:subject>
               <dc:subject>Ornamental glass</dc:subject>
               <dc:subject>Glass painting and staining</dc:subject>
               <dc:subject>Cathedrals</dc:subject>
               <dc:subject>Middle Ages</dc:subject>
               <dc:subject>Glass</dc:subject>
               <dc:subject>Girona (Catalonia)</dc:subject>
               <dc:description>The production and distribution of stained glass in Mediterranean Europe during the Middle Ages remains inadequately&lt;/p>&lt;p>understood. This article focuses on Catalonia, where local glass production is documented as early as the&lt;/p>&lt;p>13th century, but little is known about the production of window glass. This study analyses a collection of stained&lt;/p>&lt;p>glass fragments from Girona Cathedral, dating from the 13th to the 16th century, some of which is the work of&lt;/p>&lt;p>renowned master glassmakers. The data obtained is compared with contemporary stained glass documented&lt;/p>&lt;p>from other parts of Europe, and with a collection of 15th and 16th century archaeological window glass from&lt;/p>&lt;p>Barcelona. The data is also contrasted with historical documentation on glass production in Catalonia. The findings&lt;/p>&lt;p>reveal that the glass from Girona from the 13th and 14th centuries is of the potassium-lime type, similar to&lt;/p>&lt;p>that produced in the workshops of north-western France. By the late 14th and 15th centuries, the composition&lt;/p>&lt;p>aligns more closely with that of north-eastern France. In the 16th century, however, the glass changes to a sodalime&lt;/p>&lt;p>composition, similar to the glass found in Barcelona, suggesting a transition from central European to&lt;/p>&lt;p>Mediterranean sources, and indicates a change in the raw materials involving the use of soda-lime plant ash instead&lt;/p>&lt;p>of potassium-lime forest ash. These results indicate that the production of window glass shifted from France&lt;/p>&lt;p>to Barcelona at the close of the 15th century.</dc:description>
               <dc:date>2025-09-23T06:21:32Z</dc:date>
               <dc:date>2025-09-23T06:21:32Z</dc:date>
               <dc:date>2025-07-01</dc:date>
               <dc:date>2025-09-23T06:21:34Z</dc:date>
               <dc:type>info:eu-repo/semantics/article</dc:type>
               <dc:type>info:eu-repo/semantics/acceptedVersion</dc:type>
               <dc:relation>Reproducció del document publicat a: https://doi.org/10.1016/j.culher.2025.05.012</dc:relation>
               <dc:relation>Journal of Cultural Heritage, 2025, vol. 74, p. 99-105</dc:relation>
               <dc:relation>https://doi.org/10.1016/j.culher.2025.05.012</dc:relation>
               <dc:rights>cc-by-nc (c) The Author(s), 2025</dc:rights>
               <dc:rights>http://creativecommons.org/licenses/by-nc/3.0/es/</dc:rights>
               <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
               <dc:publisher>Elsevier</dc:publisher>
               <dc:source>Articles publicats en revistes (Mineralogia, Petrologia i Geologia Aplicada)</dc:source>
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