<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-19T19:22:27Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:2445/221186" metadataPrefix="qdc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:2445/221186</identifier><datestamp>2026-04-08T07:55:17Z</datestamp><setSpec>com_2072_1057</setSpec><setSpec>col_2072_478857</setSpec><setSpec>col_2072_478917</setSpec></header><metadata><qdc:qualifieddc xmlns:qdc="http://dspace.org/qualifieddc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">
   <dc:title>Ethnohistorical sources in archaeoacoustics  research: A case study from South-Central California</dc:title>
   <dc:creator>Alarcón Jiménez, Ana María</dc:creator>
   <dc:creator>Jiménez Pasalodos, Raquel</dc:creator>
   <dc:creator>Díaz-Andreu, Margarita</dc:creator>
   <dc:subject>Etnohistòria</dc:subject>
   <dc:subject>Arqueologia</dc:subject>
   <dc:subject>Acústica</dc:subject>
   <dc:subject>Ethnohistory</dc:subject>
   <dc:subject>Archaeology</dc:subject>
   <dc:subject>Acoustics</dc:subject>
   <dcterms:abstract>This article explores the use of ethnohistoric data for the understandings of the &#xd;
acoustic and sound-world of rock art sites. A discussion on the complexities of using &#xd;
ethnohistorical documents in the study of rock art and archaeoacoustics is made using &#xd;
Yokuts rock art as a case study. The analysis follows five lines of evidence: the placement &#xd;
of rock art, first, in sonorous landscapes and, second, in places with “special” acoustics; &#xd;
the representation of musical practices and sound-producing instruments; the evidence &#xd;
of musical instruments in the period under study and, finally, the production of rock art &#xd;
at or near lithophones. It is concluded that critically reading ethnohistorical sources may &#xd;
reveal conceptual inadequacies when approaching the cultural understanding of sound &#xd;
in other cultures and assist the research questions followed in fieldwork. Finally, the &#xd;
analysis of ethnohistorical sources makes archaeoacousticians undertaking fieldwork &#xd;
aware of possible sites and lines of research that could be sensitive and/or restricted &#xd;
to certain members of the society involved.</dcterms:abstract>
   <dcterms:issued>2025-05-23T10:23:10Z</dcterms:issued>
   <dcterms:issued>2025-10-01T05:10:20Z</dcterms:issued>
   <dcterms:issued>2024-10</dcterms:issued>
   <dc:type>info:eu-repo/semantics/bookPart</dc:type>
   <dc:type>info:eu-repo/semantics/acceptedVersion</dc:type>
   <dc:relation>Versió postprint del capítol 7 publicat a: https://doi.org/10.2307/jj.22361592.10</dc:relation>
   <dc:relation>Capítol 7 del llibre: Díaz-Andreu, M. &amp; Santos da Rosa, N. (eds.) Exploring ancient sounds and places: theoretical and methodological approaches to archaeoacoustics, Oxford:Oxbow, 2024, pp. 141-158</dc:relation>
   <dc:relation>https://doi.org/10.2307/jj.22361592.10</dc:relation>
   <dc:rights>(c) Oxbow Books, 2024</dc:rights>
   <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
   <dc:publisher>Oxbow Books</dc:publisher>
   <dc:source>Llibres / Capítols de llibre (Història i Arqueologia)</dc:source>
</qdc:qualifieddc></metadata></record></GetRecord></OAI-PMH>