<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-18T06:52:54Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:2445/221186" metadataPrefix="oai_dc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:2445/221186</identifier><datestamp>2026-04-08T07:55:17Z</datestamp><setSpec>com_2072_1057</setSpec><setSpec>col_2072_478857</setSpec><setSpec>col_2072_478917</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
   <dc:title>Ethnohistorical sources in archaeoacoustics  research: A case study from South-Central California</dc:title>
   <dc:creator>Alarcón Jiménez, Ana María</dc:creator>
   <dc:creator>Jiménez Pasalodos, Raquel</dc:creator>
   <dc:creator>Díaz-Andreu, Margarita</dc:creator>
   <dc:subject>Etnohistòria</dc:subject>
   <dc:subject>Arqueologia</dc:subject>
   <dc:subject>Acústica</dc:subject>
   <dc:subject>Ethnohistory</dc:subject>
   <dc:subject>Archaeology</dc:subject>
   <dc:subject>Acoustics</dc:subject>
   <dc:description>This article explores the use of ethnohistoric data for the understandings of the &#xd;
acoustic and sound-world of rock art sites. A discussion on the complexities of using &#xd;
ethnohistorical documents in the study of rock art and archaeoacoustics is made using &#xd;
Yokuts rock art as a case study. The analysis follows five lines of evidence: the placement &#xd;
of rock art, first, in sonorous landscapes and, second, in places with “special” acoustics; &#xd;
the representation of musical practices and sound-producing instruments; the evidence &#xd;
of musical instruments in the period under study and, finally, the production of rock art &#xd;
at or near lithophones. It is concluded that critically reading ethnohistorical sources may &#xd;
reveal conceptual inadequacies when approaching the cultural understanding of sound &#xd;
in other cultures and assist the research questions followed in fieldwork. Finally, the &#xd;
analysis of ethnohistorical sources makes archaeoacousticians undertaking fieldwork &#xd;
aware of possible sites and lines of research that could be sensitive and/or restricted &#xd;
to certain members of the society involved.</dc:description>
   <dc:date>2025-05-23T10:23:10Z</dc:date>
   <dc:date>2025-10-01T05:10:20Z</dc:date>
   <dc:date>2024-10</dc:date>
   <dc:type>info:eu-repo/semantics/bookPart</dc:type>
   <dc:type>info:eu-repo/semantics/acceptedVersion</dc:type>
   <dc:identifier>https://hdl.handle.net/2445/221186</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:relation>Versió postprint del capítol 7 publicat a: https://doi.org/10.2307/jj.22361592.10</dc:relation>
   <dc:relation>Capítol 7 del llibre: Díaz-Andreu, M. &amp; Santos da Rosa, N. (eds.) Exploring ancient sounds and places: theoretical and methodological approaches to archaeoacoustics, Oxford:Oxbow, 2024, pp. 141-158</dc:relation>
   <dc:relation>https://doi.org/10.2307/jj.22361592.10</dc:relation>
   <dc:rights>(c) Oxbow Books, 2024</dc:rights>
   <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
   <dc:format>18 p.</dc:format>
   <dc:format>application/pdf</dc:format>
   <dc:publisher>Oxbow Books</dc:publisher>
   <dc:source>Llibres / Capítols de llibre (Història i Arqueologia)</dc:source>
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