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               <mods:name>
                  <mods:role>
                     <mods:roleTerm type="text">author</mods:roleTerm>
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                  <mods:namePart>Guo, Lina</mods:namePart>
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                  <mods:dateIssued encoding="iso8601">2024-10-21</mods:dateIssued>
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               <mods:abstract>This thesis&#xd;
focuses on the project evolution&#xd;
of Tate Modern (London), a successful&#xd;
museum renovated by Swiss architects Herzog &amp;&#xd;
de Meuron (H&amp;dM). However, it starts with a different&#xd;
approach: evaluating the drawings from a media perspective.&#xd;
By examining the drawings published by various print media&#xd;
including professional magazines and books over different period, the&#xd;
thesis covers the project spanning over 20 years, from the competition in&#xd;
1994 to its second realization in 2016 and subsequent developments to the&#xd;
present day, encompassing two distinct phases: renovation (TM1) and extension&#xd;
(TM2). Drawings selected cover conventional types such as floor plans, sections,&#xd;
elevations, master plans etc. As drawing is the main language for architects, each type&#xd;
of drawing conveys distinct information. Collectively, they provide a comprehensive&#xd;
understanding of the project. For readers, they serve as significant tools to understand&#xd;
architectural projects. Throughout the years, the drawings of tate modern in each project&#xd;
phase are published by one of the magazines continuously almost every single year, from&#xd;
the early publication by ANY in 1996, several times by Spanish El Croquis, once by German&#xd;
Detail, etc. Forming a chronology where the evolution of drawings is obvious. Meanwhile,&#xd;
Tate Modern is regarded by Herzog &amp; de Meuron as their core project in the development of&#xd;
the firm. During the long collaboration with the Tate, they gradually became capable of doing&#xd;
international projects and gained fame globally. Not a coincidence, three chronologies overlap:&#xd;
first is the evolution of the project Tate Modern; the other is evolution of drawings in print&#xd;
media publications; and the third is the development of architects and the firm. Through such&#xd;
juxtaposition, we can see there are subtle influence and interactions between one another.&#xd;
Print media is a special type of publication compared with other the popular internet based&#xd;
media nowadays on account of its distinguished features like its physical materility, restriction&#xd;
on pages and format, periodicity, and editorial decision. For this reason, compared with original&#xd;
archives, print media, especially magazines, could only cover part of the story. But when we&#xd;
compare between various paperbacks, it is obvious that drawings are selected or neglected, same&#xd;
set of drawings are presented in different styles under various editorial decisions, arranged in&#xd;
different typology, graphic design, layout, and image-text relations and distributions. As far as&#xd;
accessibility to local and online libraries, publications that have published the entire project&#xd;
of Tate Modern are collected as many as possible, at the end being sufficient to develop a&#xd;
understanding of the essential stages of the project evolution. Simultaneously, in order to&#xd;
achieve a better understanding of reasons behind differences between versions of drawing&#xd;
types, this thesis combs through the versions according to time, discover several "cuts"&#xd;
in the project evolution which then become essential phases to understand the evolution&#xd;
process. By overlapping the chronologies of versions of drawings and the development&#xd;
of H&amp;deM office, we can also find out how the versions of published drawings are&#xd;
related to their management. After all, it is a journey of discovering how architects&#xd;
present a single project in different period and publications. The methology by&#xd;
tracing architectural drawings through media is potential to explore more&#xd;
contemporary and historical projects.</mods:abstract>
               <mods:language>
                  <mods:languageTerm authority="rfc3066"/>
               </mods:language>
               <mods:accessCondition type="useAndReproduction">http://creativecommons.org/licenses/by/4.0/ Open Access Attribution 4.0 International</mods:accessCondition>
               <mods:subject>
                  <mods:topic>Àrees temàtiques de la UPC::Arquitectura::Tipologies d'edificis</mods:topic>
               </mods:subject>
               <mods:subject>
                  <mods:topic>Àrees temàtiques de la UPC::Arquitectura::Sistemes de representació arquitectònica::Dibuix</mods:topic>
               </mods:subject>
               <mods:subject>
                  <mods:topic>Tate Modern (Gallery)</mods:topic>
               </mods:subject>
               <mods:subject>
                  <mods:topic>Art museum architecture -- Great Britain -- London</mods:topic>
               </mods:subject>
               <mods:subject>
                  <mods:topic>Architectural drawing</mods:topic>
               </mods:subject>
               <mods:subject>
                  <mods:topic>Tate Modern (Galeria)</mods:topic>
               </mods:subject>
               <mods:subject>
                  <mods:topic>Museus d'art -- Arquitectura -- Gran Bretanya -- Londres</mods:topic>
               </mods:subject>
               <mods:subject>
                  <mods:topic>Dibuix arquitectònic</mods:topic>
               </mods:subject>
               <mods:titleInfo>
                  <mods:title>Architectural drawings of Tate Modern in the print media</mods:title>
               </mods:titleInfo>
               <mods:genre>Master thesis</mods:genre>
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