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   <dc:title>Exhibition: from the idealization to the nail</dc:title>
   <dc:creator>Azara Nicolás, Pedro</dc:creator>
   <dc:subject>Àrees temàtiques de la UPC::Arquitectura::Art</dc:subject>
   <dc:subject>Museum exhibits</dc:subject>
   <dc:subject>Museum techniques</dc:subject>
   <dc:subject>Exhibition. Museology. Museography.</dc:subject>
   <dc:subject>Exposicions en museus</dc:subject>
   <dc:subject>Museologia</dc:subject>
   <dcterms:abstract>The present article is about how one can prepare the arrangements and plan an exhibition, from the selection and requests in loans of artwork pieces to museums and collectors, respecting the requirements requested by the institutions responsible for the loan, to the transportation and its conditions, and the installment of the pieces in the exhibition room, which requires a mounting that must comply &#xd;
with several, and a few times contradictory, needs.</dcterms:abstract>
   <dcterms:abstract>Postprint (published version)</dcterms:abstract>
   <dcterms:issued>2018-02-21</dcterms:issued>
   <dc:type>Article</dc:type>
   <dc:relation>http://www.usjt.br/arq.urb/numero-20/9-pedro-azara-en.pdf</dc:relation>
   <dc:rights>http://creativecommons.org/licenses/by-nc-nd/3.0/es/</dc:rights>
   <dc:rights>Open Access</dc:rights>
   <dc:rights>Attribution-NonCommercial-NoDerivs 3.0 Spain</dc:rights>
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