<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-17T01:50:09Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:2117/115393" metadataPrefix="marc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:2117/115393</identifier><datestamp>2025-07-17T07:39:05Z</datestamp><setSpec>com_2072_1033</setSpec><setSpec>col_2072_452950</setSpec></header><metadata><record xmlns="http://www.loc.gov/MARC21/slim" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd">
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      <subfield code="a">Azara Nicolás, Pedro</subfield>
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      <subfield code="a">The present article is about how one can prepare the arrangements and plan an exhibition, from the selection and requests in loans of artwork pieces to museums and collectors, respecting the requirements requested by the institutions responsible for the loan, to the transportation and its conditions, and the installment of the pieces in the exhibition room, which requires a mounting that must comply &#xd;
with several, and a few times contradictory, needs.</subfield>
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      <subfield code="a">Àrees temàtiques de la UPC::Arquitectura::Art</subfield>
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      <subfield code="a">Exhibition. Museology. Museography.</subfield>
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      <subfield code="a">Exposicions en museus</subfield>
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      <subfield code="a">Exhibition: from the idealization to the nail</subfield>
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