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      <dc:title>The anchor of a modal superlative and the individual vs stage level reading of the adjective</dc:title>
      <dc:creator>Tovena, Lucia M.</dc:creator>
      <dc:creator>Fleury, Damien</dc:creator>
      <dc:subject>Modal superlatives</dc:subject>
      <dc:subject>Stage level vs individual level</dc:subject>
      <dc:subject>Comparison class</dc:subject>
      <dc:subject>Semantics</dc:subject>
      <dc:subject>Pragmatics</dc:subject>
      <dc:description>This paper is about the semantics of quality modal superlatives in predicative function, e.g. Italian È stata il più calma possibile ('She was the calmest possible'), with a focus on what is the anchoring of the modal superlative, and how what is being compared is restricted. The limitations of single-anchoring in individuals when analysing modal superlatives, following the strategy generally adopted for ordinary absolute and relative superlatives, are highlighted. The alternative of using a comparison class made of world+individual pairs grouped into equivalence classes defined through the amount of the gradable property (Tovena &amp; Fleury 2023), proves a better solution. New data on the stage-level vs. individual-level reading of the gradable adjective provide evidence supporting this form of anchoring. The stage-level reading, although predominant, is not the manifestation of the invariance of the individual being compared. Some stage-level interpretations favour selecting a plurality of individuals for comparison, with the difference that this plurality is determined across possible worlds, not in the actual world, in contrast to ordinary superlatives.</dc:description>
      <dc:date>2024</dc:date>
      <dc:type>Article</dc:type>
      <dc:relation>;</dc:relation>
      <dc:relation>Isogloss ; Vol. 10 Núm. 7 (2024), p. 1-29</dc:relation>
      <dc:rights>open access</dc:rights>
      <dc:rights>Aquest document està subjecte a una llicència d'ús Creative Commons. Es permet la reproducció total o parcial, la distribució, la comunicació pública de l'obra i la creació d'obres derivades, fins i tot amb finalitats comercials, sempre i quan es reconegui l'autoria de l'obra original.</dc:rights>
      <dc:rights>https://creativecommons.org/licenses/by/4.0/</dc:rights>
      <dc:publisher/>
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