<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-17T12:53:45Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:2072/456460" metadataPrefix="oai_dc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:2072/456460</identifier><datestamp>2024-11-18T01:40:44Z</datestamp><setSpec>com_2072_98</setSpec><setSpec>col_2072_378192</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
   <dc:title>Beleza e Feiura como aspectos estéticos na Música Medieval : a Ordem na Desordem</dc:title>
   <dc:creator>Ribeiro, Antonio Celso</dc:creator>
   <dc:subject>Beauty</dc:subject>
   <dc:subject>Ugliness</dc:subject>
   <dc:subject>Medieval music</dc:subject>
   <dc:subject>Treatises</dc:subject>
   <dc:subject>Troubadours</dc:subject>
   <dc:subject>Order</dc:subject>
   <dc:subject>Disorder</dc:subject>
   <dc:subject>Beleza</dc:subject>
   <dc:subject>Feiura</dc:subject>
   <dc:subject>Música medieval</dc:subject>
   <dc:subject>Tratados</dc:subject>
   <dc:subject>Trovadores</dc:subject>
   <dc:subject>Ordem</dc:subject>
   <dc:subject>Desordem</dc:subject>
   <dc:description>Através de um breve exame sobre o tratado anônimo medieval de música La Doctrina de Compondre Dictatzessa pesquisa pretende expor alguns aspectos do cancioneiro medieval, confrontando seus gêneros principais e fazendo algumas considerações sobre a beleza e a feiura nas canções dos trovadores.</dc:description>
   <dc:description>Through a brief examination of anonymous music treatise La Doctrina de Compondre Dictatz,this work intends to expose some aesthetic aspects ofthe medieval songbook, confronting its main genres and making some considerations about beauty and ugliness in the songs of troubadours.</dc:description>
   <dc:date>2021</dc:date>
   <dc:type>Article</dc:type>
   <dc:identifier>https://ddd.uab.cat/record/243022</dc:identifier>
   <dc:identifier>urn:oai:ddd.uab.cat:243022</dc:identifier>
   <dc:identifier>urn:oai:raco.cat:article/388300</dc:identifier>
   <dc:identifier>urn:articleid:16765818n32p112</dc:identifier>
   <dc:language>por</dc:language>
   <dc:relation>;</dc:relation>
   <dc:relation>Mirabilia ; Núm. 32 (jan-jun 2021), p. 112-152</dc:relation>
   <dc:rights>open access</dc:rights>
   <dc:rights>Aquest material està protegit per drets d'autor i/o drets afins. Podeu utilitzar aquest material en funció del que permet la legislació de drets d'autor i drets afins d'aplicació al vostre cas. Per a d'altres usos heu d'obtenir permís del(s) titular(s) de drets.</dc:rights>
   <dc:rights>https://rightsstatements.org/vocab/InC/1.0/</dc:rights>
   <dc:format>application/pdf</dc:format>
   <dc:publisher/>
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