<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-18T02:11:00Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:20.500.14342/3746" metadataPrefix="oai_dc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:20.500.14342/3746</identifier><datestamp>2025-03-11T12:45:23Z</datestamp><setSpec>com_2072_482405</setSpec><setSpec>com_2072_183628</setSpec><setSpec>col_2072_482410</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
   <dc:title>Analysis of Emotional Responses in Political Communication: An Experimental Case of Interactive Advertising</dc:title>
   <dc:creator>Polo López, Marc</dc:creator>
   <dc:creator>Fondevila-Gascón, Joan-Francesc</dc:creator>
   <dc:creator>Vidal Portés, Eduard</dc:creator>
   <dc:creator>Muñoz Sánchez, Omar</dc:creator>
   <dc:creator>Vilajoana Alejandre, Sandra</dc:creator>
   <dc:contributor>Universitat Ramon Llull. Facultat de Comunicació i Relacions Internacionals Blanquerna</dc:contributor>
   <dc:subject>Propaganda</dc:subject>
   <dc:subject>Comunicació en la política</dc:subject>
   <dc:subject>Emocions</dc:subject>
   <dc:subject>Humor</dc:subject>
   <dc:subject>Tristesa</dc:subject>
   <dc:subject>Interactivitat</dc:subject>
   <dc:subject>Hbbtv</dc:subject>
   <dc:subject>Publicitat</dc:subject>
   <dc:subject>65</dc:subject>
   <dc:description>The emotional reactions to interactive advertisements are a relatively new study&#xd;
object, attending the synchronous evolution of the natural interactive platforms.&#xd;
Interactivity has increased thanks to Internet usage, and it can be also attractive for&#xd;
political communication.&#xd;
In television’s case, it is a growing phenomenon whose main launcher is the&#xd;
implementation of the Hybrid broadcast broadband Television (HbbTV) standard.&#xd;
Key players of the sector (networks, media agencies, and advertisers) try to take&#xd;
profit from the options generated by the interaction with the audience. We have&#xd;
developed an experimental methodology that consists of viewing an advertising block&#xd;
that includes conventional and interactive advertisements in order to observe the&#xd;
emotions that those generate in the audience. The experiment included the view&#xd;
of a nine advertisement block and the analysis of face reactions linked to emotions.&#xd;
It is concluded that surprise emotion via humor does not make it easier to capture&#xd;
attention during the broadcast of a sequence of advertisements and identify the&#xd;
advertisement, and humor increases relatively interest in interactive advertisements.</dc:description>
   <dc:description>info:eu-repo/semantics/acceptedVersion</dc:description>
   <dc:date>2023</dc:date>
   <dc:type>info:eu-repo/semantics/article</dc:type>
   <dc:identifier>http://hdl.handle.net/20.500.14342/3746</dc:identifier>
   <dc:identifier>https://doi.org/10.1177/00027642231166872</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:relation>American Behavioral Scientist, vol. 68, núm. 1, 2023</dc:relation>
   <dc:rights>© L'autor/a</dc:rights>
   <dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 International</dc:rights>
   <dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
   <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
   <dc:format>17 p.</dc:format>
   <dc:publisher>Sage</dc:publisher>
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