<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-14T06:58:59Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:20.500.14342/3315" metadataPrefix="mets">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:20.500.14342/3315</identifier><datestamp>2025-03-11T04:12:22Z</datestamp><setSpec>com_2072_482405</setSpec><setSpec>com_2072_183628</setSpec><setSpec>col_2072_482415</setSpec></header><metadata><mets xmlns="http://www.loc.gov/METS/" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" ID="&#xa;&#x9;&#x9;&#x9;&#x9;DSpace_ITEM_20.500.14342-3315" TYPE="DSpace ITEM" PROFILE="DSpace METS SIP Profile 1.0" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd" OBJID="&#xa;&#x9;&#x9;&#x9;&#x9;hdl:20.500.14342/3315">
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                  <mods:namePart>Abondano Franco, David Humberto</mods:namePart>
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                  <mods:dateAccessioned encoding="iso8601">2025-03-11T04:12:22Z</mods:dateAccessioned>
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               <mods:identifier type="uri">http://hdl.handle.net/20.500.14342/3315</mods:identifier>
               <mods:abstract>Industrialized  societies  are  undergoing  a  transition  towards  an  informational  era,  in  which  modes  of  production  and  culture,  once  transformed  by  industrialization,  are  being modi½ed by the ICTs. The advent of digital architecture results from this transition, which involves a new materiality and a new conception of nature, just as industrial mate-rials, techniques, and technologies not only paved the way to modern architecture, but also fostered the rejection of nature as an architectural model. If mass production of iron, glass, and reinforced concrete con½gured an industrial materiality from which ar-chitectural innovation emerged in the early 20th century, the innovative techniques of employing information through digital technologies are raising a digital materiality that is essential to novel design and manufacturing processes. Moreover, nature is once again a  model  for  architecture  through  computational  design,  but  not  the  visual  or  iconic  one it used to be, due to its turn into an instrumental model in which natural processes, properties, and inner structures can be decoded and objecti½ed as design parameters of  form-making  processes.  This  work  addresses  the  conceptions  of  ‘materiality’  and  ‘nature’ in digital architecture, through a dialectical discourse with modern architecture that will provide a historical background that aims to sidestep the misconceptions, and discern the dilemmas, which may result from observing too closely an architectural shift driven by the effervescence of technological progress.</mods:abstract>
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                  <mods:topic>Disseny arquitectònic -- Materials</mods:topic>
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                  <mods:topic>Materials de construcció -- Innovacions tecnològiques</mods:topic>
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                  <mods:title>Transition towards a digital architecture: new conceptions on materiality and nature</mods:title>
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